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Foteva has published in both European and American journals on a variety of topics, including Austrian literature of the fin de siècle, She is the recipient of several grants and awards. Currently she holds the position of Visiting Assistant Professor in German Studies at St. in German literature at Purdue University. The volume is recommended for courses on Austrian, German, Balkan, and European studies, as well as comparative literature, theater, media, Slavic literatures, history, and political science.Īna Foteva received her Ph.D. Thus, this book contributes to the research on Europe’s historical memory and to scholarship on postcolonial and/or post-imperial identities in European states. There is at present no other study that distinguishes these particular geographical reference points. Do the Balkans Begin in Vienna? depicts the fictional imagination of the Balkans as a “utopian dystopia.” This oxymoron encompasses the utopian projections of the Austrian/ Habsburg writers onto the Balkans as a place of intact nature and archaic communities the dystopian presentations of the Balkans by local authors as an abnormal no-place (ou-topia) onto which the historical tensions of empires have been projected and, finally, the depictions of the Balkans in the Western media as an eternal or recurring dystopia. Therefore, cultural multi-belonging, historical disruption, and recurrence of identities and conflicts are proposed to be “the essence” of the Balkans. The Habsburg Monarchy and the Balkans as an intermediate space between West and East. Aiming to clarify the politics of drawing cultural borders in this region, the book examines the relations between Variously part of the Austro-Hungarian, Ottoman, and Byzantine empires, this region has always been considered Europe’s border between the Orient and the Occident. Tito and Me: A Late Example of Poetic Resistance to Idolatryĭo the Balkans Begin in Vienna? takes up one of the most fraught areas of Europe, the Balkans. Joseph Roth’s Ambivalent Reminiscence of the Habsburg Myth Myth and Memory in the Habsburg Monarchy and the Balkans The Balkans and Europe in the Axis of Utopia and Dystopia Handke’s Voyage by Dugout: The Balkans as a Dystopian Utopia The Last Days of Mankind: Drama as a High Court of JusticeĪustrian Spectators Become Actors in the Theater of World War I Roda’s Serbian Diary: War between a Nation of Engineers, Painters, and Poets and a Nation of Peasants The Beginning of Hostilities between Serbia and Austria-Hungary The Radetzky March: Habsburg Identity between Irony and Utopia Hofmannsthal’s Arabella: Nineteenth Century Slavonia as a Utopian Chronotopos of an Ideal Future Society The Slovenian and Croatian National Paradigms in the Habsburg Period Slovenia and Croatia: Between the Balkans and Europe Not a Clash of Civilizations, but a War between Nations The Literary Reception and Political Interpretations of Andrić’s Fiction The Bridge on the Drina: A Narrative of Consolidation or Disintegration? Ivo Andrić and the Habsburg Language Politics for Bosnia-Herzegovina Habsburg Resonances in the Former Yugoslavia and Present Day Bosnia-Herzegovinaīadger in Court: Dialogue of Misunderstanding between the Subaltern and the Colonizer The Conflict between Habsburg Supranational and Local National Identity Politics in Bosnia-Herzegovina Bosnia-Herzegovina: Where Orient and Occident MeetĬolonialism and Imperialism in Bosnia-Herzegovina and the Balkansīosnia-Herzegovina’s “Uncanny” Geography: The Sense of National Identity Modernizing Western Influences Threaten to Change Ottoman SerbiaĬreating the Nation in the Revolutionary Turmoil of 1848 Vojvodina in the Age of Linguistic Misunderstanding The Role of the Theater in the Construction of National Identity Serbian Identity between Conflicting Ottoman, Habsburg, and Slavic Orthodox Influences Peter Handke’s Once Again for Thucydides: Narrative Islands of Peace amidst of War
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Milo Dor’s Larger Homeland: Paradigm for an Inclusive Europe
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Robert Kaplan’s Balkan Ghosts: The Balkans as Europe’s Twin “Br/Other” Geographical, Geopolitical, and Cultural Borders of the BalkansĬolonial/Imperial Legacies and Postcolonial Struggles Traditions Constituting European Identity Introduction: The Balkans’ Postmodern Geography